PHIL

introduction

The whole notion of an orchestra strikes fear in my heart — it represents a scary order and hierarchy. I took this opportunity to disintegrate the monster and this notion of the perfect performance by quite literally separating out the musicians so they played their parts alone. I chose Mozart’s Eine Kleine Nacht Musik because it would be recognisable when played out of synch.


images


description

Phil responds to the issue of urban regeneration and publicly funded art’s relationship to what is often a gentrification process. This has been an issue for quite a few of my projects, for example The Wedding Project and Visionhire. This time I wanted to say something about the way communities are defined from on high — usually created by drawing a catchment area on a map. How much a part does geography play?

By looking for people whose name had ‘phil’ in it on the electoral register the ‘participants’ were sought out in a random and ungeographical manner. We put flyers through ‘phil’ doors and rang the bells to ask them directly if they wanted to take part. A lot of people thought at first that it was a joke. The main thing we talked about was that a musician would perform for them in their home. Each player would perform their part separately and then the tapes would be reunited as this kind of orchestra of televisions with video players. When we were setting up in their houses we always had to rearrange their TV as the conductor had been videoed and the musician needed to watch him for the timing. There was this funny moment going into the corner of someone’s living room and unsettling the TV dust! The players reacted very differently to this solo situation, where normally they are ensconced within the orchestra. Sometimes I realised my own childhood terror of performing was being enacted. Others relished the situation. Each performance was filmed on two cameras, for wide and close-up shots .


details

Date

2002

Commissioning partners

The Beaufoy Arts Project
Danielle Arnaud Contemporary Art
Gasworks Gallery
Lambeth Arts
Vauxhall St Peter’s Heritage Centre

Production

Danielle Arnaud Gallery
Gasworks Gallery

Media

Performances
30 videos

Funders

Lambeth Riverside

Links

credits

Phillip Scott
Phil Colley
Louise Philpot
Philippa Underwood
Phil Hogg
Philip Moore
Phil Seager
Philip Nipah
Philippa Bessant
Phillip Johnson
Philip Norman
Phil Rigby
Philippa Crerar
Simon Phillips
Philippe Ciompi

London Philharmonic Orchestra musicians

Frances Bucknall, Dan Cornford, Martin Fenn, Emily Isaac, Rachel Ives, Geoffrey Lynn, Dominic Moore, Mila Mustakova, George Peniston, Robert Poole, Will Routledge, Rebecca Shorrock, Amanda Smith, Jo St. Leon, Sioni Williams

Fiona Boundy
Richard Mallett
Amy Plant
Danielle Arnaud
Jack Baker
Rupert Bond
Rupert Carey
Andrea Crociani
Serge Dorny
Gasworks Gallery
Ella Gibbs & Muxa
Katherine Green
Mimi Hansmann
Julie Lomax
Myes Stawman
spc.org
Anna Symes
Stefan Szczelkun
Paul Whitty
Bettina Wilhelm


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